Book of Additions: Difference between revisions

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Huntingdon.svg|18. Earl of Hungtindon
Huntingdon.svg|18. Earl of Hungtindon


de Lacy.svg|19. Earl of Lincoln
John de Lacy.svg|19. Earl of Lincoln
Daubeney.svg|20. Daubeney
Daubeney.svg|20. Daubeney
de Mandeville.svg|21. William de Mandeville
de Mandeville.svg|21. William de Mandeville
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Vescy Paris.svg|34. William de Vescy
Vescy Paris.svg|34. William de Vescy
Giles de Argentine.svg|35. Richard de Argentine
Giles de Argentine.svg|35. Richard de Argentine
Flandern Paris.svg|36. Earl of Flanders
Flandern Paris.svg|36. Count of Flanders
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</gallery>


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Robert Harenc.svg|39. Robert Harenc
Robert Harenc.svg|39. Robert Harenc
Muschet.svg|40. Robert Muschet
Muschet.svg|40. Robert Muschet
Toulouse.svg|41. Earl of Toulouse
Toulouse.svg|41. Count of Toulouse
Brabant Paris.svg|42. Duke of Brabant
Brabant Paris.svg|42. Duke of Brabant
</gallery>
</gallery>

Revision as of 20:34, 15 December 2015

Matthew Paris (c. 1200-1259) became a monk of St. Albans in 1217, and in 1236 became the abbey chronicler, a task which allowed him to exercise and explore his talents as a scribe, and as an accomplished and inventive artist. Most of this manuscript is written in Matthew's own distinctive handwriting, as are the miniatures, except for some added in the 14th century. Known by Matthew as his 'Book of Additions', it contains a variety of miscellaneous texts and images.Among Matthew's many other interests was heraldry. Here he has laid out in rows copies of the shields of members of the English nobility.